Upcoming Engagements

Lyric Opera of Chicago
October 1, 5, 9 (matinee), 13, 16 (matinee), & 22, 2016M/em>
Mime, Mem>Das Rheingold

Don José, Carmen
(more info)

Lyric Opera of Chicago
December 10, 12, & 14, 2016
January 6, 8 (matinee), 12 (matinee), 14, 17, 22 (matinee), 25 (matinee), & 27, 2017
Monostatos, The Magic Flute
(more info)

Los Angeles Opera
February 18 & 25, 2017
March 2, 5 (matinee), 16, & 19 (matinee), 2017
First Jew, Salome
(more info)

Recital (Los Angeles)
El Camino College Marsee Auditorium
March 3, 2017 at 8:00pm
(more info)

Los Angeles Opera
March 25 & 30, 2017
April 2 (matinee), 6, 9 (matinee), & 15, 2017
Spalanzani, The Tales of Hoffmann
(more info)

Seattle Opera
May 6, 7 (matinee), 10, 13, 14 (matinee), 17, 19, & 20 (matinee), 2017
Monostatos, The Magic Flute
(more info)

(More upcoming engagements)

MAW, Santa Barbara – Day Thirty9

Journal for July 30, Wednesday:

Lesson with Marilyn Horne. Had to re-adjust to the way she is encouraging me to sing, which I really like. I wanna be honest here. If I compare Horne and Carama’s teaching, there IS a difference. I like how Ms. Horne is handling my voice. Carama’s ideas are also good, and a good amount I can apply, although not all of them are applicable to me. What I really want for my voice is this: A good top, a rich middle and a very relaxed larynx/throat. This is something where I’d rather have one or nothing at all. Moving right along, I had a coaching with Warren Jones on the duet for this Saturday’s Masterclass. That was very helpful. That’s it for Wednesday.

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